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  <title>Harvie S. and the Joys of the Understated Bass Player</title>
  <description>Given that my late father was a bass player, I confess a certain soft spot in my heart &amp;amp;ndash; and blog &amp;amp;ndash; for bands led by bassists. Thanks to Harvie S., I have a new CD to return to anytime I want an understated, yet powerful, bass fix.&#13;
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These days, the pyrotechnics of a Stanley Clarke or Victor Wooten are what comes to mind when thinking of what a bass player brings to the bandstand as a leader. That&amp;amp;rsquo;s one reason that it&amp;amp;rsquo;s refreshing that Harvie S. (born Harvie Swartz) isn&amp;amp;rsquo;t afraid to take melodic solos or simply fade into the texture of a song. Working with a group of musicians he calls his &amp;amp;ldquo; Texas Band&amp;amp;rdquo;, the sextet of Harvey on bass, Chris Cortez on guitar, Woody Witt on saxophone, Jose Miguel Yamal on piano, Joel Fulgham on drums and James Metcalf on percussion, play a mixture of covers and originals with vitality and sensitivity on Cocolamus Bridge (available on Blue Bamboo Music).&#13;
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There&amp;amp;rsquo;s a Latin tinge to many of the cuts, including &amp;amp;ldquo;Coco Loco&amp;amp;rdquo; and &amp;amp;ldquo;Truth and Beauty&amp;amp;rdquo;, but always with a subtle sway. The title track comes across as something that Pat Metheny (with whom Harvie has collaborated in the past) might play in his more mellow moods. The solo piece, &amp;amp;ldquo;Eili Gheal Chiuin&amp;amp;rdquo;, takes an Irish folk tune and turns it into almost a lullaby when Harvie picks up the bow.&#13;
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There&amp;amp;rsquo;s much to like here, with a special nod to saxophonist Witt. His duet with Harvie on Wayne Shorter&amp;amp;rsquo;s &amp;amp;ldquo;Night Dreamer&amp;amp;rdquo; is worthy of the master himself.</description>
  <author_name>Straight No Chaser - A Jazz Show</author_name>
  <author_url>http://straightnochaserjazz.libsyn.com</author_url>
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