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  <title>She Likes It Heavy_Show 198_092716</title>
  <description>Rich renaissance-style album art to accompany avant-garde and vivid melody and spiritual vocals. Malmok jarnak: Thy Catafalque (Scotland)(0:28-10:30) Chicago-style complexity and distorted guitars mixed with alternative, post-hardcore and post-punk. Sunk: Ganser (Chicago)(11:45-16:53) Deep and thoughtful melodic, the good kind.&amp;amp;nbsp; Winter's Gate, Pt. 7: Insomnium (Finland)(17:31-22:53) Greek black metal that is interestingly disjointed and noisy. Winter: End (Greece)(23:51-30:32) Sumptuous stoner kraut rock with Björk-style crystal sweet vocals. Embryo: Katla (Sweden)(30:52-37:15) Black metal that pumps in mosh-pit thrash.&amp;amp;nbsp; Beneath the Relics of Old: Ravencult (Greece)(37:43-42:07) Rocking synth and death rock and 70’s, but darker.&amp;amp;nbsp; World Peace: Okkultokrati (Norway)(43:00-49:02) European death metal is bringing in their nationality’s folk sounds, but in the good non-contrived way.&amp;amp;nbsp; Like Spanish folk death metal band Noctem, this band is bringing in the Roman folk-style.&amp;amp;nbsp; &amp;amp;nbsp; Carthago Delenda Est: Ade (Italy)(49:42-54:20) Come on, I had to play some Ukranian death metal off an excellent split with Swedish band Grift (played on Show 162). His Twenty-Fourth Spring: Drudkh (Ukraine)(54:53-END) </description>
  <author_name>She Likes It Heavy bostonfreeradio.com</author_name>
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