{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Juliette Binoche","description":"Read just a sample of Juliette Binoche's credits\u2014\u201cMauvais Sang,\u201d \u201cThree Colors: Blue,\u201d \u201cDamage,\u201d \u201cThe English Patient,\u201d \u201cChocolat,\u201d \u201cCertified Copy,\u201d \u201cClouds of Sils Maria,\u201d \u201cLet The Sunshine In\u201d\u2014and one thing becomes clear: few actors have been as internationally respected for such a sustained period of time. In this episode, she speaks about the importance of acting from the body, and learning to use \u201csensation\u201d as a starting point. She tells a story about feeling lost on the set of John Boorman\u2019s "In My Country," and what set her free should be a lesson to all directors. She talks about how the difficult circumstances surrounding the production of her two newest films, \u201cBoth Sides of the Blade\u201d and \u201cBetween Two Worlds,\u201d actually served her process. Plus much more!  Follow Back To One on Instagram ","author_name":"Back To One","author_url":"https:\/\/filmmakermagazine.com\/column\/back-to-one-a-podcast-on-acting\/#.Wt3dmNPwZ24","html":"