{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Brit Marling ","description":"Brit Marling is an inspiration. The talented multi-hypenate became an indie darling in 2011 with \u201cAnother Earth\u201d and \u201cSound of My Voice\u201d\u2014collaborations with Mike Cahill and Zal Batmanglij respectively. She avoided various vapid roles and unfulfilling career paths and instead went on to star in (and co-create with Batmanglii) the hit Netflix series \u201cThe OA,\u201d which was bafflingly cancelled after two seasons, despite a rabid and large fan base. The two are back with another series, \u201cA Murder At The End of The World\u201d\u2014a cool Zoomer detective whodunit set in a remote super-hotel in Iceland. On this episode, she talks about how knowing she will have to play a character affects the writing process, the \u201cshared loneliness\u201d of collaboration, using AI as a story element before the world even knew it existed, why she has to hold on to her character during the editing process, the cosmic concoction she uses to make her ideas grow, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram ","author_name":"Back To One","author_url":"https:\/\/filmmakermagazine.com\/column\/back-to-one-a-podcast-on-acting\/#.Wt3dmNPwZ24","html":"