{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Into the Spider-Verse Title Sequence Director: James Ramirez","description":"Spider-Man: Into the Spider-Verse&amp;nbsp;developed a new approach to computer animation so as to translate the comic-book experience for the big screen. Academy voters took notice and awarded the film an Oscar for Best Animated Feature. One of the last things that moviegoers see before leaving the film is the hyperkinetic title sequence animated by visual studio Alma Mater. The sequence was featured at SXSW 2019 in a compilation of compelling title sequences, and it made enough of an impression that it won SXSW's jury-awarded&amp;nbsp;Excellence in Title Design accolade. As part of my festival coverage of SXSW 2019, I sat down with title sequence co-director&amp;nbsp;James Ramirez&amp;nbsp;to learn more about what went into making the sequence. Some of the things we discuss include  The different styles of animation that went into the sequence and how they put it together in Cinema 4D How they worked with the filmmakers behind&amp;nbsp;Spider-Man: Into the Spider-Verse&amp;nbsp;to supplement the ideas and characters of the film The way they implemented the half-tone look What filmmakers should keep in mind when planning for a title sequence  # Related Episode To hear more about how vintage animation styles have influenced computer animation, check out this  interview with Limbert Fabian and Brandon Oldenburg, Oscar-winning directors from Moonbot Studios, in Shreveport, Louisiana. #   Sponsor for this Episode   nsavides productions&amp;nbsp;\u2013 I make videos and tell stories. Some of my videos are&amp;nbsp;here. #  Say hello: podcast@nsavides.com       #    Related Things    Alma Mater Jame's site, friedpixels.com James on  Instagram, Twitter   This  Art of the Title article&amp;nbsp;provides an in-depth discussion with illustrations about how the title sequence came together. James gave a shout out to the  Deadpool 2&amp;nbsp;title sequence. Imaginary Forces, one of the agencies whose work James admires, worked on titles for Stranger Things&amp;nbsp;and Mad Men. Jack Kirby, an early Spider-Man artist, provided design inspiration for both the film and title sequence of Into the Spider-Verse.&amp;nbsp; While we didn't get to discuss this in the interview, James also did some motion graphics work on Stranger Than Fiction, a film that has been a big inspiration for me. My interview with Stranger Than Fiction's producer Lindsay Doran is over  here.    Shortcut for the podcast: nicksav.show    Additional music for the show provided by Rob Costlow.   Concept Art&amp;nbsp; Ben Apley, producer for Alma Mater's&amp;nbsp;Into the Spider-Verse&amp;nbsp;title sequence, graciously shared some images to illustrate how the concept developed.  Visit show page to see.   #   If You Liked the Show     Sign up for&amp;nbsp;The nsavides Newsletter.   Subscribe or leave an honest review:  &amp;nbsp; Apple Podcasts   &amp;nbsp; Spotify   &amp;nbsp;   Overcast      Say hello on Twitter:&amp;nbsp;&amp;nbsp;@nsavidesPRO  Thank you for visiting!      &amp;nbsp; ","author_name":"NICKSAV Film &amp; Music SHOW","author_url":"http:\/\/nicksav.show","html":"<iframe title=\"Libsyn Player\" style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/9750593\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/forward\/render-playlist\/no\/custom-color\/4f85b7\/\" height=\"90\" width=\"600\" scrolling=\"no\"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen><\/iframe>","thumbnail_url":"https:\/\/assets.libsyn.com\/secure\/item\/9750593"}