{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Dear Heart (1964): Geraldine Page and the Romance Nobody Remembers","description":"Bosley Crowther called Dear Heart &quot;a stale, dull and humorless pretension.&quot; Melanie cried at the end. Ed laughed out loud at a joke the&amp;nbsp;screenplay had set up half an hour earlier. Melanie Benjamin and Edward Kelsey Moore watch DEAR HEART (1964), directed by Delbert Mann from Tad Mosel's screenplay. Geraldine Page is&amp;nbsp;Evie Jackson, an Ohio postmaster at a New York convention who pages&amp;nbsp;herself in the hotel lobby so she'll have a message to take home.  Glenn&amp;nbsp;Ford is Harry Mork, a greeting-card salesman engaged to someone else.&amp;nbsp;Angela Lansbury is the someone else. Henry Mancini's title song got an Oscar nomination; the film got forgotten. WHAT THEY LAND ON \u2014 It's a comedy. Neither of them expected that. Mosel plants jokes that don't pay off for another forty minutes, and then they pay off hard. \u2014 Page's Evie is a lot, and knows she's a lot. &quot;You have to watch me on that.&quot; She's also competent, self-aware, and has a genius for making&amp;nbsp;people who start out annoyed by her end up loving her. \u2014 The film says out loud what happens to a woman travelling alone. A man corners her in the corridor: &quot;You're a woman alone. I know what you want.&quot; Both hosts assumed he was the house detective. He isn't. \u2014 Melanie goes Team Phyllis. Lansbury's fianc\u00e9e isn't a villain \u2014 she's a woman done with cooking Thanksgiving for twenty who wants to live in a&amp;nbsp;hotel and order room service. &quot;You go, Phyllis.&quot; \u2014 Before any of that: Ed plays Ravinia and scores Top Gun live with an orchestra, and Melanie explains, at length and with feeling, exactly why she hates bed and breakfasts. \u2014 The verdict: both recommend it. Ed's reservation is the Patrick subplot. Melanie's case is that it's a film about real human connection, which she'd like a great deal more of right now. CHAPTERS 00:00 &amp;nbsp;Who the hell are we \u2014 and a new once-a-month schedule 01:36 &amp;nbsp;Ed's summer: Hugh Jackman at Ravinia, and Top Gun with an orchestra 10:11 &amp;nbsp;Melanie in Alabama, and the bed and breakfast problem 15:39 &amp;nbsp;Cookies, cognac, and what fresh hell is this 17:52 &amp;nbsp;Dear Heart (1964): Delbert Mann, Tad Mosel, and that Mancini song 21:43 &amp;nbsp;Evie Jackson arrives in New York \u2014 and pages herself 45:26 &amp;nbsp;The brush-off, the quickie, and a joke that pays off an hour later 50:07 &amp;nbsp;&quot;You're a woman alone&quot;: the corridor scene 52:00 &amp;nbsp;The spinster pack, and what Evie is afraid of becoming 68:52 &amp;nbsp;Team Phyllis: Angela Lansbury has a point 71:32 &amp;nbsp;The train station, and the verdict 75:21 &amp;nbsp;Next month's book: The Overdue Life of Amy Byler WHERE TO WATCH Dear Heart (1964), 113 minutes. Apple TV: https:\/\/tv.apple.com\/us\/movie\/dear-heart\/umc.cmc.5h2qvwx3djbpb3tbxjvxrap7n  TCM: https:\/\/www.tcm.com\/watchtcm\/titles\/15890 NEXT MONTH The Overdue Life of Amy Byler by Kelly Harms. MORE Substack: https:\/\/melanieanded.substack.com Write to us: melanded@whothehellarewe.com ","author_name":"Who The Hell Are We?","author_url":"http:\/\/whothehellarewe.libsyn.com\/website","html":"<iframe title=\"Libsyn Player\" style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/42957953\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/forward\/render-playlist\/no\/custom-color\/88AA3C\/\" height=\"90\" width=\"600\" scrolling=\"no\"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen><\/iframe>","thumbnail_url":"https:\/\/assets.libsyn.com\/secure\/content\/206427373"}