{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Natalie Zina Walschots on good bosses and bad guys [encore]","description":"This week we\u2019re bringing you a conversation Michael Tamblyn had in 2021 with Natalie Zina Walschots about her extremely fun novel called Hench. It\u2019s about a world where superheroes are out there saving the day in super ways, while villains, who are a lot like you and me, run organizations bent on taking over the world while also trying to keep scores up on Glassdoor. Natalie\u2019s just released a sequel to Hench, and it\u2019s called Villain.    [From 2021:] We learned about some of the fantastical worlds Natalie enjoyed exploring as a young reader "often for sheer escapism," as well as the writers she drew inspiration from while starting out as a writer herself, and as a lifelong student of supervillainy: Robert O'Brien's Mrs. Frisby and the Rats of NIMH and Z for Zachariah High fantasy including J. R. R. Tolkien, but also Shannara, Dragonlance, and "anything with a wizard holding an orb on the cover" or "a skeleton holding a sword" Christian B\u00f6k, Karen Solie, bp Nichol, and other writers "doing super weird things with language and the structural materiality of language..." Soon I Will Be Invincible "was the first book I read from the perspective of a supervillain." "Paradise Lost is really important to me ... the relationship between Satan the adversary to the world informs the way I write villains." Neil Gaiman's Sandman, where "a character who's a villain in one context becomes the protagonist in another." Vicious by V E Schwab Erin Morgenstern's The Night Circus and various writings of Catherynne M. Valente for their "messed up fairy tale feel." ","author_name":"Kobo in Conversation","author_url":"https:\/\/koboinconversation.libsyn.com\/site","html":"