{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Ep 652: Todd Rohal","description":"Filmmaker Todd Rohal (THE CATECHISM CATACLYSM, THE GUATEMALAN HANDSHAKE, UNCLE KENT 2) joins Adam and Joe to discuss his career journey and the making of his latest controversial X-rated feature FUCK MY SON (in select theaters now). From growing up on a steady diet of PEE WEE\u2019S PLAYHOUSE, MONTY PYTHON, and the work of John Waters\u2026&amp;nbsp; to the hurdles that come with trying to make films that don\u2019t fit with what the industry considers mainstream or commercial\u2026&amp;nbsp; to how he slowly raised the financing for FUCK MY SON piece by piece\u2026 to why he chose to cast the incredible Robert Longstreet as \u201cVermina\u201d (an elderly woman) and the careful precautions he took to shoot the film in a way where child actor Kenzie Colmery (\u201cBernice\u201d) was never actually exposed to any of the story\u2019s depravity\u2026 to working with the legendary FX artist Robert Kurtzman on the film\u2019s insane make-up effects\u2026 to how he has managed to bring an X-rated film to US theaters\u2026 to a comprehensive and honest conversation about filmmakers\u2019 using AI technology and why so many try to hide that they\u2019re now using the modern tool\u2026 Todd is one of the most unique voices in cinema today. ","author_name":"The Movie Crypt","author_url":"http:\/\/www.patreon.com\/TheMovieCrypt","html":"<iframe title=\"Libsyn Player\" style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/39036450\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/forward\/render-playlist\/no\/custom-color\/88AA3C\/\" height=\"90\" width=\"600\" scrolling=\"no\"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen><\/iframe>","thumbnail_url":"https:\/\/assets.libsyn.com\/secure\/content\/195456810"}