{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"Shakespeare on Film","description":"We've been sitting on this idea for a while, but with Chloe Zhao's Oscar hopeful Hamnet opening this month, it seemed like as good a time as any to finally move forward with one of the biggest topics a film podcast can tackle: big-screen adaptations of the work of Elizabethen\/Jacobean playwright William Shakespeare, the most-adapted writer in film history on top of being the most famous name in the history of both English drama and English literature. Such a grand subject deserves a bigger crowd, so this week, Tim is joined by no fewer than three Alternate Ending regulars: Gavin McDowell, Brian Fowler, and Caleb Wimble. Together they discuss what makes a good Shakespeare movie, what we should do with adaptations that discard the original text, and why there are such a disproportionately high number of good&amp;nbsp;Macbeths. Before the main event, our regular movie roundtable covers a wide range of movies, as wide as the number of genres good old Billy S. touched on his career: Brian has caught up with&amp;nbsp;Black Phone 2, Gavin celebrates Armistice Day with nice, pleasant WWI\/Armenian genocide movie, 2016's&amp;nbsp;The Promise, Caleb has checked out the brand-new&amp;nbsp;Predator: Badlands, and thanks to Patreon supporter Robin Zimmerman, Tim is here to discuss 2015 cult film&amp;nbsp;Turbo Kid. ","author_name":"Alternate Ending","author_url":"https:\/\/www.alternateending.com\/","html":"<iframe title=\"Libsyn Player\" style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/39012300\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/forward\/render-playlist\/no\/custom-color\/88AA3C\/\" height=\"90\" width=\"600\" scrolling=\"no\"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen><\/iframe>","thumbnail_url":"https:\/\/assets.libsyn.com\/secure\/item\/39012300"}