{"version":1,"type":"rich","provider_name":"Libsyn","provider_url":"https:\/\/www.libsyn.com","height":90,"width":600,"title":"SPLP 3: Land, Listening, and Leaving: Talking to Ame Kanngieser and Lisa E. Harris","description":"In contemporary Western culture we seem to have lost an intimate connection with the land. More often than not we consider our surroundings as a passive backdrop in which humankind can take center stage: controlling the landscape, developing infrastructures, and extracting resources at will. This rather anthropocentric position has become unviable, however, as recent human-driven ecological crises \u2013 like climate change, the dramatic loss of biodiversity and large-scale destruction of habitats \u2013 are clearly indicating. If we wish to develop a more sustainable future, we urgently need to reconnect to our environment and restore a more reciprocal relationship with the earth.&amp;nbsp;  In the context of the project Land, studium generale commissioned the Radio ArtEZ series Sounding Places \/ Listening Places in which writer and music journalist Joep Christenhusz and creator of sound works, musician, writer, poet, and Deep Listener Sharon Stewart enquire how sound and listening can help us to do so. &amp;nbsp; In this third episode, Sharon Stewart converses with geographer and sound artist Ame Kanngieser, Melbourne, Australia, and vocalist, writer, composer and interdisciplinary artist, Lisa E. Harris from Houston, Texas about themes of land, ownership and sound. Do we have an intrinsic right to record our immediate soundscape? Who owns sound? &amp;nbsp; Shownotes: The interview with Ame Kanngieser took place on the stolen lands of the Wurundjeri and Bunurong people of the East Kulin Nations. We acknowledge the traditional owners of these lands and pay our respects to elders past and present and to Country itself. Sovereignty was never ceded, resistance is ongoing. &amp;nbsp; Reading and listening AM Kanngieser:  Website: AM Kanngieser Soundwork: Eulogy for the Handfish, The Parallel Effect, 2020 Talk: Listening to Ecocide at Sonic Acts, 2020 Collaborative talk:  Listening as Relation, an Invocation for CTM Festival: Discourse Series \u2013 Critical Modes of Listening, 2021, with M\u00e9tis\/otipemisiw anthropologist Zoe Todd, 2021&amp;nbsp; Article: \u201cFrom environmental case study to environmental kin study\u201d in History and Theory, 2020 Article: \u201cA brief proposition toward a sonic geo-politics\u201d in Journal of Sonic Studies, 2016 Article: \u201cGeopolitics and the Anthropocene: Five propositions for sound\u201d in Geohumanities, 2015 Article: \u201cA sonic geography of the voice: Towards an affective politics\u201d in Progress in Human Geography, 2011  Lisa E. Harris  Website: Lisa E. Harris Foundation for Contemporary Arts:  Dorothea Tanning Award, Music\/Sound, 2021, Lisa E. Harris Rising Residents:  Climate in Crisis Residencies at A Studio in the Woods, 2020 Interview: \u201cGrowth Potential: Lisa Harris Interviewed by&amp;nbsp;IONE\u200b\u201d in BOMB magazine, 2020 Interview: \u201cDeep Space, Deep Listening, and EarthSeed: An Interview With Lisa E. Harris\u201d by Betsy Huete in Glasstire, 2020 Album: Earthseed by Nicole Mitchell and Lisa E. Harris, 2020 Live, multimedia performance:  Cry of the Third Eye, description in Glasstire, 2020 Album: Cry of the Third Eye (From Original Soundtrack) on Spotify Installation Work: \u201cPlease, Have a Seat\u201d and \u201cBlack Bodies in Space\u201d in Objektiv, 2020 YouTube: \u201cYou've got a Right to the Tree of Life\u201d Lisa E. Harris, 2013 YouTube: \u201cGetting acquainted with Hermann, my theremin\u201d&amp;nbsp; Lisa E. Harris, 2017   They eat the Kill and then Have Cake.&amp;nbsp; (For Juneteenth in Texas, USA) &amp;nbsp; What happens to captives when captives are set free to run on captured land? Is this called Jubilee?  Should not their ancestral land be restored to them and them unto It?&amp;nbsp;  Black people, we have made a new covenant every time our feet stand upon the Earth.&amp;nbsp;&amp;nbsp; We restore the captive land . She is set free to run through our captured feet.&amp;nbsp;  And this is just one reason why&amp;nbsp;&amp;nbsp; They make us to hover so The drip draws&amp;nbsp; Bone from The meet.&amp;nbsp; &amp;nbsp; -Li Harris 6\/19\/2020  Sounding Places - Listening Places was commissioned by ArtEZ Studium Generale. Interviews, texts and voice overs by Sharon Stewart and Joep Christenhusz. It&amp;nbsp;is produced by Ondercast for Studium Generale ArtEZ. Studium Generale curator for this series: Catelijne de Muijnck ","author_name":"Radio ArtEZ","author_url":"http:\/\/studiumgenerale.artez.nl\/","html":"<iframe title=\"Libsyn Player\" style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/19146290\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/forward\/render-playlist\/no\/custom-color\/88AA3C\/\" height=\"90\" width=\"600\" scrolling=\"no\"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen><\/iframe>","thumbnail_url":"https:\/\/assets.libsyn.com\/secure\/content\/103576277"}