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  <title>Episode 31: Touch of Evil</title>
  <description>Orson Welles's 1958 &amp;quot;Touch of Evil&amp;quot; is considered the last film noir of the classic period. Clute and Edwards investigate why it deserves this designation, arguing that it uses the conventions of noir in such a self-conscious manner that henceforth it will be impossible to tell a straight noir tale. Indeed the film is so self-conscious that it is no more a narrative than it is a demonstration of how to create film narrative. It is considered a great film for this reason, but also because it features myriad strong acting turns, stages Welles's dramatic demise as a Hollywood player, and contains story and character seeds that will come to fruition in films as different as &amp;quot;Psycho&amp;quot; and &amp;quot;Miller's Crossing.&amp;quot;  This podcast is brought to you by Clute and Edwards of www.noircast.net.  To leave a comment on this episode, or make a donation to the podcast, please visit &amp;quot;Out of the Past: Investigating Film Noir&amp;quot; at outofthepast.libsyn.com.</description>
  <author_name>Out of the Past: Investigating Film Noir</author_name>
  <author_url>http://outofthepast.libsyn.com</author_url>
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