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  <title>César Vallejo #09 - Individual and Society</title>
  <description>
                
                Also from Against the Professional Secret,
                Vallejo here places us in one of his favorite scenes: before the
                tribunal. This allows the Peruvian poet to explore the ideas of
                justice, guilt, innocence &amp;amp;amp; responsibility through numerous
                perspectives. Indeed, his three month incarceration
                in Peru was clearly a big part of his proclivity to take up the topic–
                especially because he was unjustly imprisoned &amp;amp;amp; since it took the
                Peruvian government 8 years (!) to formally express a pardon. Nonetheless,
                here Vallejo explores the relationship between the accused &amp;amp;amp; the
                collective that will decide his fate. The figure of Milad– his likeness
                –is the key to the piece. Is it that this double simply extracts the
                guilt out of the &amp;quot;murderer&amp;quot; because of this likeness, or is it that the
                likeness itself convinces the &amp;quot;accused&amp;quot; that he is guilty, that he is
                the murderer?
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  <author_name>The Smelting Process Podcast</author_name>
  <author_url>http://www.jwmulligan.wordpress.com</author_url>
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