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  <title>Pre-Concert Talk: Martin Sixsmith (Series Advisor) in conversation with Marina Frolova-Walker (Scholar)</title>
  <description>Voices of Revolution: Russia 1917 Series Advisor Martin Sixsmith speaks to musicologist Marina Frolova-Walker about the different ways Soviet era composers navigated an increasingly volatile system, one that could be unpredictable, especially when it came to evaluating music.&amp;amp;nbsp; Profiling composers featured in the Philharmonia Orchestra's Royal Festival Hall concert on 22 March 2018, Sixsmith and Frolova-Walker explore how Sergei Prokofiev was lured back to Russia with flattery; how Alexander Mosolov ended up in the Gulag; and how Reinhold Glière managed to work the system to his advantage by producing beautiful, accessible music.&amp;amp;nbsp; Works discussed:&amp;amp;nbsp; Mosolov: Iron Foundry Prokofiev: Piano Concerto No. 3 Glière: Concerto for Coloratura Soprano and Orchestra, The Red Poppy Recorded live at the Royal Festival Hall, Southbank Centre, London. Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018.&amp;amp;nbsp;https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917&amp;amp;nbsp; </description>
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