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  <title>Ep558: John McCrea of CAKE</title>
  <description>John McCrea of CAKE discusses their elusive catalogue on vinyl, rarities of the band, upcoming Australian tour, new recordings, record nerdery and more. Tickets &amp;amp;amp; info on CAKE's Australian tour is here Topics Include:  John McCrae discusses collecting records, revisiting old favorites like Perez Prado He describes &amp;quot;chasing goosebumps&amp;quot; — the feeling of rediscovering great music  Shares vivid teenage memory seeing Led Zeppelin at Knebworth, England  Recalls dancing to washing machine rinse cycles as a toddler  Names early formative records: Beatles, Bob Dylan, Woody Guthrie, Arlo Guthrie His parents played accordion and folk guitar, shaping his musicality  Discusses his dad's Eastern European minor-key accordion versus polka music  Talks about &amp;quot;Rancho Seco,&amp;quot; his first recorded song, a protest track Song addressed a nuclear plant illegally releasing radioactive steam locally  Connects Dylan influence and poets to his built-in social justice streak  Reflects on growing up near Sacramento, Berkeley, and Nevada City, California  Compares old Bay Area culture to today's flashier Silicon Valley wealth  Describes Cake's early '90s formation, self-financed four-song EP release EP funded through show earnings and merch, later expanded into album  Album got European distribution and unexpected early popularity in France  &amp;quot;Rock and Roll Lifestyle&amp;quot; got college radio play before wider fame Cake signed to Capricorn Records, a small Southern rock label East Bay Ray advised McCrea to fight for keeping album masters  McCrae says most bands don't retain their masters like Cake did  Vinyl of Cake albums historically hard to find, tied up licensing  Discusses 2014 box set now reselling for $700–$1,000 secondhand New Cake album is finished, awaiting mixing, targeted early 2027  Explains he avoids forced album themes, focuses song by song  Reflects on why Cake albums come infrequently, citing family, industry fatigue  Criticizes modern music industry as increasingly exploitative and financially unsustainable  Explains reduced touring due to travel dislike and environmental concerns  Considers eco-friendly vinyl options and shifting kids' preference toward CDs  Discusses Cake's DIY visual identity, homemade posters, and lino-cut aesthetic  Talks rare live vinyl pressings, including $300 Crystal Palace release  Wraps up promoting Cake's Australian tour dates and Sydney ticket sales  High resolution version of this podcast is available at:&amp;amp;nbsp;www.Patreon.com/VinylGuide  Apple:&amp;amp;nbsp;https://tinyurl.com/tvg-ios Spotify:&amp;amp;nbsp;https://tinyurl.com/tvg-spot Amazon Music:&amp;amp;nbsp;https://tinyurl.com/tvg-amazon Support the show at&amp;amp;nbsp;Patreon.com/VinylGuide  </description>
  <author_name>The Vinyl Guide</author_name>
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