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  <title>Ep 28: Art and Subsidization; Who Is Paying the Piper?</title>
  <description>Sean talks about the development of using municipal art projects to stimulate the local art scene&#13;
Ryver discusses the Portland, OR art scene as an example of this&#13;
Bruce compares this to the history of music&#13;
The Philosophers discuss the benefit of a well-developed local art scene&#13;
Sean proposes the idea that a thriving of a local art community can enrich the inner life of the people in that place&#13;
The Philosophers talk about another common form of art, that of so-called &amp;amp;ldquo;corporate&amp;amp;rdquo; art, and how this is distinctly different&#13;
Bruce explains why he feels that corporate art is a lesser form of art&#13;
Sean expands on the points Bruce brings up, and why corporate art is different&#13;
Bruce talks about the arbitrary nature of the price of art&#13;
Sean and Ryver propose and discuss the idea of corporations having a direct financial incentive to produce art that makes people feel a particular way&#13;
Ryver discusses the similarities between this and native advertising&#13;
Bruce compares this to propaganda&#13;
Sean expands on this idea&#13;
Bruce and Sean talk about the factors that determine the success of certain art forms and the exceptions within those criteria&#13;
The Philosophers encounter an Existential Crisis; find out what happens during the thrilling conclusion of Art and Subsidization: Who Is Paying the Piper?&#13;
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  <author_name>Professor Metal's Irate Debate and Calamitous Commentary</author_name>
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