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  <title>'The Messiahs' = Ken Kraft, Bobby O'Neill &amp;amp;Craig Owens_2026-03-27_interview on KZSC's 'Bushwhackers Breakfast Club'</title>
  <description>Bobby came to Santa Cruz in 1964, when he was still in high school, following a musician he played with in a band; he started the iconic Santa Cruz band, &amp;quot;Snail&amp;quot;, in 1968, &amp;amp;amp; Ken Kraft Joined later that year; Snail toured all over...Southern California, Santa Barbara, Bakersfield; Snail landed a record deal in 1978 with Cream Records (David Crook), who had moved down to Hollywood; Snail got air play, &amp;amp;amp; got big in places like Idaho's college towns; they recorded their 2nd album in Bayshore, Florida, where they recorded by day, and the Eagles would record evenings / nights their album, &amp;quot;The Long Run&amp;quot; - some fun stories came out of that, especially Joe Walsh, who was a character; they shortened the name &amp;quot;The Hen-Pecked Messiahs&amp;quot; to &amp;quot;The Messiahs&amp;quot; when they expanded from a duo (&amp;quot;The Shell Boys&amp;quot;) to a trio, adding Craig Owens on bass &amp;amp;amp; vocals to make a drumless trio; The Money Question? Bobby - no...after Snail stopped touring he became a house painter (but he picks the songs that fit the group - the drumless incarnation); Ken? Yes! He's done a lot of studio work &amp;amp;amp; production; Craig? Yes! He's been fortunate, making enough as musician to &amp;quot;pretty much&amp;quot; make it...he spent 10 years on the road as Lacy J. Dalton's bass player, before working for Emu (aka &amp;quot;Eµ&amp;quot;) in the 1980s (Emu, starting in a Silicon Valley apartment before moving to a house in Santa Cruz, helped drive the sampling revolution through their modular synthesizers and (later) samplers as well as drum machines; Emu for &amp;quot;Emulator&amp;quot;) An interview on &amp;quot;The Bushwhacker's Breakfast Club&amp;quot; with &amp;quot;Dangerous Dan&amp;quot;, airing Friday mornings on KZSC Santa Cruz, California. </description>
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