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  <title>The Individual, the Church, and the Ars Moriendi (the Art of Dying), Part 5</title>
  <description>The Bible says in Psalm 39:4: &amp;amp;ldquo;Lord, make me to know mine end, and the measure of my days, what it is: that I may know how frail I am.&amp;amp;rdquo;&#13;
The featured quote for this episode is from John Donne. He said, &amp;quot;Any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.&amp;quot;&#13;
Our topic for today is titled &amp;quot;The Individual, the Church, and the Ars Moriendi (the Art of Dying), Part 5&amp;quot; from the book, &amp;quot;The Art of Dying: Living Fully into the Life to Come&amp;quot; by Rob Moll.&#13;
--- A Public Event&#13;
As bells tolled across England and Europe announcing another death from the plague, Christians were reminded at every moment that death was a public event and instructive to the church. While death was a spiritual event, according to Christian tradition, it was and is not a private affair simply between a Christian and God. Indeed, the loss of a single brother or sister in Christ wounded deeply the community of faith. &amp;quot;No man is an island,&amp;quot; wrote Donne in his Devotions, &amp;quot;every man is a piece of the continent.&amp;quot;&#13;
Two characteristics of death in the Middle Ages, says historian Phillipe Aries in his one-thousand-year history of Western attitudes of dying, lasted until the end of the nineteenth century: its familiar simplicity and public nature. &amp;quot;The dying person must be the center of a group of people,&amp;quot; says Aries. As late as &amp;quot;the early nineteenth century, when the last sacrament was being taken to a sick man, anyone could come into the house and into the bedroom, even if he was a stranger to the family.&amp;quot;&#13;
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  <author_name>Preparing for the Inevitable</author_name>
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