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  <title>Gangstagrass</title>
  <description>This story starts at Arbor Day Farm in Nebraska City, Nebraska. At the HATCH Summit. A gathering about world-building and cultivating relationships—set in a town with a long memory, including its role in the Underground Railroad. And from there, it moves to music.&amp;amp;nbsp;To Gangstagrass. They’re Emmy-nominated.&amp;amp;nbsp;Billboard-charting. And they’re also the soundtrack for Dispatch from the Heartland. Hip hop and bluegrass sit together here—&amp;amp;nbsp;banjo and bars, rhythm and rhyme—&amp;amp;nbsp;without explanation.&amp;amp;nbsp;Just present. Tate Chamberlin sat down with Gangstagrass— Dolio The Sleuth, B.E. Farrow, Rench, Sleevs, Danjo Whitener, and R-SON, the Voice of Rason. There’s a quote they have that keeps coming back: We all do better when we all do better. Can’t get better than that. That quote opens up a longer story.&amp;amp;nbsp;One that passes through blackface minstrelsy—&amp;amp;nbsp;an old form of Entertainment in the United States where white performers painted their faces black&amp;amp;nbsp;and acted out cruel, exaggerated versions of Black life,&amp;amp;nbsp;earning premium wages while doing it,&amp;amp;nbsp;taking work, money, and stages away from Black performers,&amp;amp;nbsp;turning real people into jokes and stereotypes. Those images didn’t stay on the stage. They moved into songs. Movies. Cartoons. Into culture. This is a story about&amp;amp;nbsp;Music. About memory.&amp;amp;nbsp;About relationship. About Afrofuturism— not as escape, but as continuity. A future imagined with the past fully in frame. </description>
  <author_name>I Am Interchange</author_name>
  <author_url>https://iaminterchange.com</author_url>
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