1 rich Libsyn https://www.libsyn.com 90 600 Our doctoral researcher Alicia Reyes talks about her work exploring what music means in a world which is not only focussed on humanity. How do we create a more equitable environment, and what can the otherworldly and half-organic shape of plastics formed over decades by the power of the sea bring to a musical and theatrical experience?&amp;nbsp; --- References: Donna Haraway - Staying with the Trouble: Making Kin in the Chthulucene&amp;nbsp; https://en.wikipedia.org/wiki/Staying_with_the_Trouble Plastigomerates https://en.wikipedia.org/wiki/Plastiglomerate ‘Plastics of the Mediterranean’ https://www.luftmeer-editorial.com/plastics-of-the-mediterranean/&amp;nbsp; by Matteo Guarnaccia and Teresa Fernández-Pello Heiner Goebbels - Aesthetics of Absence: Texts on Theatre https://www.heinergoebbels.com/heiner-goebbels/texts-by-hg/1568 Matthias Rebstock and David Roesner - Composed Theatre: Aesthetics, Practices, Processes https://press.uchicago.edu/ucp/books/book/distributed/C/bo12313703.html 'Re/Making Plastiglomerates' by Allie E.S. Wist https://alliewist.com/Re-Making-Plastiglomerates Find out more about Alicia's work: https://www.aliciareyes.net/ https://www.instagram.com/hallo.aliciareyes/ --- You can get in touch with us via podcast@orpheusinstituut.be Orpheus Sounds is a series of snapshots of Orpheus Instituut, a research center where we explore the making and understanding of music. https://orpheusinstituut.be&amp;nbsp; Made with the support of Wederik de Baecker, Pieter Blomme and Kayo Quintens. Orpheus Sounds https://sites.libsyn.com/600260 <iframe title="Libsyn Player" style="border: none" src="//html5-player.libsyn.com/embed/episode/id/39320395/height/90/theme/custom/thumbnail/yes/direction/forward/render-playlist/no/custom-color/88AA3C/" height="90" width="600" scrolling="no" allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen></iframe> https://assets.libsyn.com/secure/content/196644450