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  <title>Shakespeare on Film</title>
  <description>We've been sitting on this idea for a while, but with Chloe Zhao's Oscar hopeful Hamnet opening this month, it seemed like as good a time as any to finally move forward with one of the biggest topics a film podcast can tackle: big-screen adaptations of the work of Elizabethen/Jacobean playwright William Shakespeare, the most-adapted writer in film history on top of being the most famous name in the history of both English drama and English literature. Such a grand subject deserves a bigger crowd, so this week, Tim is joined by no fewer than three Alternate Ending regulars: Gavin McDowell, Brian Fowler, and Caleb Wimble. Together they discuss what makes a good Shakespeare movie, what we should do with adaptations that discard the original text, and why there are such a disproportionately high number of good&amp;amp;nbsp;Macbeths. Before the main event, our regular movie roundtable covers a wide range of movies, as wide as the number of genres good old Billy S. touched on his career: Brian has caught up with&amp;amp;nbsp;Black Phone 2, Gavin celebrates Armistice Day with nice, pleasant WWI/Armenian genocide movie, 2016's&amp;amp;nbsp;The Promise, Caleb has checked out the brand-new&amp;amp;nbsp;Predator: Badlands, and thanks to Patreon supporter Robin Zimmerman, Tim is here to discuss 2015 cult film&amp;amp;nbsp;Turbo Kid. </description>
  <author_name>Alternate Ending</author_name>
  <author_url>https://www.alternateending.com/</author_url>
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