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  <title>(Pop) Cultural Marxism, Episode 13: Things of the Year 2024 — Part I</title>
  <description>In episode 13 of (Pop) Cultural Marxism, Ajay and Isi ruminate on a largely dismal year in pop culture. Kicking off with a discussion of unexpected developments in the world of health insurance, the conversation turns to a number of broad trends that characterized culture this year: AI, long production cycles, platforms—rather than cultural works—as objects of cathexis, IP art, and the use of IP as trans-media anchors. Along the way, they discuss social bandits, collective effervescence, Leiji Matsumoto’s Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, the Criterion Closet truck, Sony’s push into the television space, Jon Chu’s&amp;amp;nbsp;Wicked, and 2024’s revealing box office numbers. In the second half of the episode, Ajay and Isi discuss the year’s highlights (Metaphor: ReFantazio&amp;amp;nbsp;[GoTY],&amp;amp;nbsp;Elden Ring: Shadow of the Erdtree,&amp;amp;nbsp;Lies of P, Mati Diop’s&amp;amp;nbsp;Dahomey, Shuchi Talati’s&amp;amp;nbsp;Girls Will Be Girls, a performance of book 1 of&amp;amp;nbsp;The Odyssey&amp;amp;nbsp;by Joseph Medeiros, Edward Berger’s&amp;amp;nbsp;Conclave, Todd Phillip’s divisive&amp;amp;nbsp;Joker: Folie à Deux, the second season of AMC’s&amp;amp;nbsp;Interview with the Vampire, and&amp;amp;nbsp;True Detective: Night Country) and lowlights (Denis Villeneuve's Dune 2, Luca Guadagnino’s&amp;amp;nbsp;Challengers, and a whole lot of &amp;quot;just okay&amp;quot; television)—with more to come in a follow-up episode after the holidays!&amp;amp;nbsp; </description>
  <author_name>(Pop) Cultural Marxism</author_name>
  <author_url>http://thebrooklyninstitute.com</author_url>
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