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Ep 10: Cyberpunk and Dystopia; Whats to love about what we fear?
The guys discuss the state of mega-corp's and merging of very large companies
Bruce brings up the reduction in wages and the rise of available technologies
Sean talks about the tragic elements of Cyberpunk
Sean wonders what there is to like about tragedy
Bruce brings up the idea of noir romanticism
Sean talks about flawed characters and Ryver talks about the hopefullness embedded in tragedy
The guys discuss theories of tragedy in philology
Ryver asks us to consider historical forces as a central focus of the need for tragedy
Sean suggests schadenfreude as a possible explanation
Ryver talks about the focus of old tragedy being the world ending in some sense
Sean juxtaposes worlds ending with cyberpunk's sense that the world just drones on without us
Bruce and Sean discuss the ideas of utopia and dystopia as less grand notions and more slight changes in trajectory
Ryver gives some examples of each and identifies some commonalities between them
Sean analogizes the concepts to Startrek vs Star Wars
Ryver talks a little about how scarcity and desire weave into the landscape of cyberpunk
Bruce brings up the prevalence of technologies that are amazing and yet treated as unimpressive
Sean paraphrases a quote “We are perishing for want of wonder, not for want of wonders.” by G.K. Chesterton to discuss the technologies of the cyberpunk aesthetic
The whole group discusses the incredible ability of cyberpunk to predict future conditions and the humanistic elements that weave us into the story
Bruce brings up “1984” and “Brave New World” as archetypes of dystopian fiction that shape cyberpunk
Sean talks about Schopenhauer's metaphysics and the duality of the Terrible Reality and the Beautiful Illusion as they are presented and how they influenced Nietzsche's Birth of Tragedy
Bruce brings up H.P. Lovecraft and Ryver refines the concepts involved in dread
The guys discuss the notion of existential dread and how it relates to “Soylent Green”
Sean refocuses the discussion onto what what gets out of dread
Ryver talks about the satisfaction of being manipulated instead of being at the whim of uncaring unthinking forces
Sean suggests that the reason we connect so strongly is that we are all the people who would make the choices that lead to a cyberpunk future
Bruce suggests that the cyberpunk hero is the existentialist hero: condemned to freedom and burdened by the knowledge of whats really going on
Ryver disagrees and cites 1984 as a character who escapes the burden of absolute freedom
Sean brings up the famous Satre quote “Hell is other people” and suggest that if we are the background characters then we are the means by which the hero is made to suffer
The guys mull over the idea of what a hero or protagonist is in the cyberpunk genre
Ryver brings up the idea that our complacency is the force which makes cyberpunk possible
Sean talks about the rabble-rouser and journalism specifically the quote that the job of the press is “To afflict the comfortable, and comfort the afflicted.” and how it relates to the cyberpunk state of affairs
Ryver talks about this as it relates to the notion of stagnation and growth
Bruce talks about this as an appeal of cyberpunk
Ryver takes the last word to recommend some great cyberpunk literature.
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