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  <title>267: Keyon Harrold</title>
  <description>Trumpeter/composer Keyon Harrold was born and raised in Ferguson, MO to a musical family. He is the son of pastors and one of 16 children. As a boy, a trumpet was placed in his hands, and the rest is history.&amp;amp;nbsp; He moved to New York to study at The New School in the 1990s and became part of a legendary generation of musicians associated with the neo soul movement, including Common, Bilal, Roy Hargrove, The Roots, and Robert Glasper.&amp;amp;nbsp; Harrold is a reliable and sought after player among big acts, and he’s worked with Jay-Z, Beyonce, Rihanna, Eminem, Maxwell, Mac Miller and Snoop Dogg.&amp;amp;nbsp; At the same time he’s a seriously gifted jazz improviser and composer, who was mentored by trumpeter Charles Tolliver, and who was once referred to as “the future of the trumpet” by Wynton Marsalis.&amp;amp;nbsp; He supplied all of the trumpet playing in Don Cheadle’s Miles Davis biopic Miles Ahead, playing to match Cheadle’s on-screen performance as Miles. The soundtrack to the film won a Grammy.&amp;amp;nbsp; But while Keyon has enjoyed what might appear to be a charmed career, he has also had a series of unexpected setbacks and heavy lived experiences that contribute to his musical journey.&amp;amp;nbsp; His new album Foreverland is a celebration of his multidimensional career and his sensitivity as an artist, proving that Harrold is a master of channeling his lived experience through his horn. The album features 10 original songs that explore themes of empowerment, positivity, love, loss, and vulnerability.&amp;amp;nbsp; And it’s&amp;amp;nbsp; a family affair — nearly every musician is a longtime friend, including Common, Robert Glasper, Laura Mvula, Chris Dave, Marcus Gilmore, Nir Felder, Randy Runyon, BIGYUKI, Burniss Travis and many others.&amp;amp;nbsp; Here he talks about Foreverland, how a series of losses in his life ultimately led him to make “something beautiful, something positive, something inspiring,” and his reflections on the early days of his career as part of a community of like minded musicians who were “always open.” www.third-story.com www.patreon.com/thirdstorypodcast </description>
  <author_name>The Third Story Podcast with Leo Sidran</author_name>
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