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  <title>Picturing Race in Colonial Mexico</title>
  <description>Race is sometimes treated as a biological fact. It is actually a modern invention. But for this concept to gain power, its logic had to be spread – and made visible. Art historian Ilona Katzew tells the story of how Spanish colonists of modern-day Mexico developed theories of blood purity and used the casta paintings – featuring family groups with differing skin pigmentations set in domestic scenes – to represent these theories as reality. She also shares the strange challenges of curating these paintings in the present, when the paintings’ insidious ideologies have been debunked, but when mixed-race viewers also appreciate images that testify to their presence in the past.&amp;amp;nbsp; Researcher, writer, and episode producer: Christopher Nygren, Associate Professor, History of Art and Architecture, University of Pittsburgh Featured Scholar:  Ilona Katzew, Curator and Head of Latin American Art, Los Angeles County Museum of Art&amp;amp;nbsp; Special thanks: Elise Lonich Ryan, Nayeli Riano, Jennifer Josten &amp;amp;nbsp; </description>
  <author_name>Genealogies of Modernity</author_name>
  <author_url>https://genealogiesofmodernity.org/season-ii</author_url>
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