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  <title>Lesson 73. An t'Athair Jack Walsh</title>
  <description>&amp;amp;ldquo;Athair&amp;amp;rdquo; is the Irish word for &amp;amp;ldquo;father&amp;amp;rdquo;, and the Anglicized title &amp;amp;ldquo;Fr. Jack&#13;
Walsh&amp;amp;rdquo; is often used as the title for this tune, as is &amp;amp;ldquo;Tatter Jack Walsh&amp;amp;rdquo;.&#13;
&amp;amp;nbsp;&#13;
The tune is played in the D mixolydian mode and thus contains the same&#13;
notes as a G Major scale. A cursory glance at the chords used in the sheet&#13;
music should alert you to this. The two main chords used are D and C and&#13;
this combination in a &amp;amp;ldquo;D&amp;amp;rdquo; tune invariably tells you it&amp;amp;rsquo;s mixolydian. The key&#13;
signature is one sharp (F#). If I used two sharps (F# and C#) then there would&#13;
be natural signs used for the C notes occurring in the tune.&#13;
Some tune books incorrectly notate the tune this way. Tony&amp;amp;rsquo;s old copy of that&#13;
excellent small collection &amp;amp;ldquo;Allan&amp;amp;rsquo;s Irish Fiddler&amp;amp;rdquo; has it in D Major with&#13;
natural signs for the C. Although the transcription still ends up with the same&#13;
notes it is not very good &amp;amp;ldquo;musical grammar&amp;amp;rdquo;. There are two accidentals in the&#13;
tune, both in the last bar of each section. In fact the last three bars of each&#13;
section are identical.</description>
  <author_name>Irish Guitar Podcast</author_name>
  <author_url>http://www.irishguitarpod.com</author_url>
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