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  <title>BSOTS 181 - Creative Commons Sightings Of Kool Keith And DJ Harrison</title>
  <description>All comments, questions, and general feedback can be sent to radiobsots@gmail.com. &amp;amp;nbsp;Record a voice message and send it my way or leave one at the Speakpipe page! You can subscribe to Radio BSOTS via the following options: RSS feed ||| Apple Podcasts ||| Spotify ||| Google Podcasts Amazon Music ||| Goodpods ||| TuneIn ||| iHeartRadio Connect with Camp Lo-Fi via social media: Twitter | Facebook | Instagram This episode's track list (title / artist / source / license): 1. &amp;amp;nbsp;Electric Mind Ft. Kool Keith by The Polish Ambassador [Bandcamp] (CC BY-NC 3.0) (2023) 2. &amp;amp;nbsp;City Swagger by DJ Harrison [blocSonic] (CC BY-NC-ND 4.0) (2012) 3. &amp;amp;nbsp;Shades, Fades &amp;amp;amp; Blaze by DJ Harrison [blocSonic] (CC BY-NC-ND 4.0) (2012) 4. &amp;amp;nbsp;I'M GOOD by Yung Miss [Bandcamp] (CC BY-NC-ND 3.0) (2019) 5. &amp;amp;nbsp;Life Is But A Dream (featuring Kara Square) by J.Lang [ccMixter] (CC BY-NC 3.0) (2022) 6. &amp;amp;nbsp;BESPOKE ft. Wallace by Close Counters [Bandcamp] (CC-BY-NC-SA 3.0) (2019) 7. &amp;amp;nbsp;garden of destruction by niteffect [Bandcamp] (CC-BY-NC-ND 3.0) (2022) Another Creative Commons crate dig session uncovers seven gems from under the underground. &amp;amp;nbsp;Over on Bandcamp, The Polish Ambassador of Jumpsuit Records creates a low-slung electronic instrumental with hip-hop leanings for Kool Keith (a.k.a. Black Elvis) to glide effortlessly over. &amp;amp;nbsp;It's like he beamed in from another galaxy or something. &amp;amp;nbsp;In Melbourne, Australia, the Close Counters duo crafts an uptempo selection for the dance floor, hovering somewhere between house and broken beat. &amp;amp;nbsp;And then there's niteffect from Budapest, offering a downtempo cut with acidic synth patterns and breakbeats that waft in and out of the mix. It was over a decade ago that DJ Harrison's '94 Flow album came out on the blocSonic netlabel. &amp;amp;nbsp;It still sounds amazing, especially when you consider a statement that repeats throughout the album: &amp;amp;nbsp;&amp;quot;There are no samples on this record.&amp;quot; &amp;amp;nbsp;The first time I heard that, I remembered thinking to myself, &amp;quot;Stop lying to me.&amp;quot; &amp;amp;nbsp;That's how frighteningly talented and in the pocket DJ Harrison is. &amp;amp;nbsp;He makes the type of funk and soul that people will be sampling 15 to 20 years from now. &amp;amp;nbsp;Meanwhile, the rap and R&amp;amp;amp;B hybrid cut from Yung Miss is a West and East Coast connection produced by Mr. Ivory Snow of Connecticut (Yung Miss hails from California). &amp;amp;nbsp;This one knocks, and it screams heavy rotation for rap radio. Seven songs. &amp;amp;nbsp;Thirty-five minutes of your time. &amp;amp;nbsp;Here's hoping the music will prove that this episode is time well spent. Other key info: Macedonia on Mixcloud BSOTS on Bondfire Radio BSOTS 176 - BUCKWILD:&amp;amp;nbsp; learn from it... Queue Points episode # 112:&amp;amp;nbsp; The Transatlantic Connection Queue Points episode # 113:&amp;amp;nbsp; The Power Of The Drop Yung Miss - &amp;quot;I'M GOOD&amp;quot; music video Tha Bloc Report BSOTS theme music produced by Cy Tru (edited by Macedonia).&amp;amp;nbsp; ID drops courtesy of India from Astronauts of Antiquity, Mr. Ivory Snow, and Kahlief Adams of Spawn On Me. The content of this show has been released under a CC-BY-SA license.&amp;amp;nbsp; All works within this show retain their original releases.&amp;amp;nbsp; See the show notes at bsots.com for more information. &amp;amp;nbsp; </description>
  <author_name>Radio BSOTS</author_name>
  <author_url>http://www.bsots.com</author_url>
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