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  <title>Dascha Dauenhauer (Golda)</title>
  <description>Historical biopics of famous leaders are a very familiar genre at this point: Great Men (or in this case, Women) of history navigating war or struggle or controversy with the stiff-upper-lip resolve history has granted to them. Guy Nattiv's Golda is certainly no exception, though it innovates not just with its presentation, but with its subject: Israeli Prime Minister Golda Meir, played under heavy prosthetics by Helen Mirren. More than that, it's not a tale of victory, but of defeat -- a Pyrrhic victory that nonetheless shakes the public's confidence in the film's chain-smoking leader, and damns her to the annals of infamy. &amp;amp;nbsp; The film covers the three-week period of the Yom Kippur War, in which Egyptian and Syrian forces, among others, launched a concerted attack on Israel during the holy day of Yom Kippur. The attack led to tremendous losses, and kicked off a standoff that would rope in both the US and the Soviet Union before it was done. &amp;amp;nbsp; Nattiv's approach to the material is stark and haunting, keeping close to Mirren's wearied, resolved take on Meir through claustrophobic, smoke-filled rooms. And aiding that sense of mystique is Golda's score, courtesy of Russian composer Dascha Dauenhauer, utilizing discordant violins and detuned cowbells to build a bleak, atmospheric sound for Golda's race against time. &amp;amp;nbsp; We're thrilled to have Dauenhauer on the podcast to talk about her early days as a composer,&amp;amp;nbsp; her boundless sense of experimentation, and the many themes and unusual sounds of her score for Golda. &amp;amp;nbsp; You can find Dascha Dauenhauer at her official website here. &amp;amp;nbsp; Golda is currently playing in select theaters. You can also listen to the score on your preferred music streaming service courtesy of MNRK Music Group. </description>
  <author_name>Right on Cue</author_name>
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